People Library

A Star’s Life : Nothing is impossible

“I made a promise to myself that I’d never waste a day of my life”

Bradford born Elishia Edwards is a model, dancer and artist. Only in her early 20’s she’s already danced with Stormzy at the Brits, been photographed for Vogue, walked the catwalk at London Fashion Week, become a JD Sports Ambassador, been signed to a LA music label and mentored for several years by Grammy Award-winning artist Chrisette Michele. Yet speaking with her, it feels like her journey is only just getting started.

“I want to be a star,” was the only response Elishia gave as a child when asked who she wanted to be when she grew up. “Most people thought it was a pipe dream and that I should get a real job,” she explains, “Coming from Bradford I had to battle for people to take me seriously.”  So Elishia found that she had to create her own opportunities to achieve her dreams, “they just weren’t available in the city,” she says.

Growing up on Canterbury estate, opportunities to nurture Elishia’s talent were hard to come by in the form of classes, however speaking about her mum’s role in her journey Elishia says “The most expensive thing I received was the love, support and encouragement from home,” which you can tell has been the foundation on which Elishia has built her life.

She credits the Bradford based youth group of MAPA for the beginning of her dance career. Their weekly disco was a place to practise routines and where she learned to grow in confidence and express her artistry. “The only way I know how to dance is by giving back to the community,” she explains, and for many years her training ground was reinvesting her talents amongst the disadvantaged youth of Bradford through groups like BYDP, Brathay and X-Plosion. The feeling of the adrenaline hit she got whilst performing at Sheffield Arena in ‘Rock Challenge’ during this time, and the effect of inspiring others is a buzz that she still searches for today, as a guiding light in her career choices.

The percentage of people who ‘make it’ within the industry is very small, and Elishia’s route to success hasn’t been simple or straightforward, and certainly not handed to her on a plate – she’s had to fight hard for it.

Her own drive to live a life she loves has helped her overcome various challenges. Many in the industry have had some financial backing from parents in order to succeed, but Elishia has had to work a minimum wage job in order to save up for lessons, photoshoots, video shoots and flights to jump start her career. Incredibly, she’s also navigated the huge challenge of being a dancer with Dyspraxia – a neurological disorder that affects coordination and spatial awareness. “I don’t know my left from my right, so I had to rewire my brain to pick up dance routines,” she describes.

Another obstacle was her lack of formal training within the arts, which meant that nearly every professional dance college turned her away, until one used their ‘wild card’ placement with her. She entered a privileged environment as the ‘worst dancer’ in the class and left as the centerpiece for every show. “It was like being in a tv drama,” she explains, “I was the only black girl in my year and the other girls got envious of my look because it wasn’t hard to get noticed by casting directors and important people.”

Perhaps one of the biggest challenges she faced was in 2016 when her older sister tragically died at the age of 28. Elishia talks about it being a pivotal moment in her life. “I made a promise to myself that I’d never waste a day of my life,” she says, and since then has committed to doing something every day that helps her move closer to her goals. “My sister’s slogan was ‘never lose hope’ and especially in these COVID times I think that’s really encouraging.”

She now spends the majority of her time continuing to pursue her dreams whilst living in London, because that’s where the industry is based. However, she’s still searching for her sense of belonging there and says “the only thing I love about London is being on stage…My home is fifty percent on the stage, and fifty percent in Bradford!” When asked further about Bradford, she comes alive. “Oh my gosh, I love Bradford!” She describes how people are so friendly compared with London, that “people smile on the street and say thank you.” She talks animatedly about how she expects to make six new friends by the end of a bus trip into town and about how her ‘real relationships’ are mainly up north.

As you speak with Elishia, you get the vibe that ‘becoming a star’ for her is more like a need to fulfill a destiny rather than a dream. It’s as if her future self knows what’s possible and is calling her forward. She decided early on to never take the ‘road most travelled’ or settle for an average life doing a job that she hated. Instead she wants to earn a living by doing what she loves, and to do that the only route forward is by staying true to herself.

It’s well known that the world of entertainment is tough. “People see you as an asset to fulfil their own goals,” Elishia says.  However, she has found a principle that has helped protect her choices. “I’m not in it for fame or clout. If I was, I’d lose myself and end up taking the wrong opportunities. When you have talent, you’re responsible for becoming the very best version of yourself that you can.”

So far she’s learnt some valuable life lessons: to let her heart lead her navigation rather than her head or the opinions of others; that happiness is a journey and not a destination and that last year’s lesson from the Covid-19 pandemic is that life is all about people.

She knows that fulfilling her potential has involved a lot of hard work, and will continue to do so.  It’s required her dedication and focus, and she’s well aware that she can’t expect anyone else to do the heavy lifting for her. Elishia believes that nothing is impossible – there are no limits in life for her.  There are no divisions between her disciplines, only opportunities to express her artistry through performance. With such potential, belief, determination and unrestrained creativity we can anticipate great things ahead for Elishia, so watch this space!

Find out more about Elishia here:
instagram.com/eethebrand
www.elishiaedwards.co.uk
www.facebook.com/EETHEBRAND
twitter.com/eethebrand

Story and photography by Tom@faithandbones.com

People Library

Out of sight, out of mind.

“There’s good and bad in us all, but Gypsy Travellers get painted with the one brush…”

A huge part of our identities as human beings is our individual culture and heritage, it shapes what we value and influences our approach to life. As time passes and society evolves these cultural identities are often challenged and threatened, each generation is given the responsibility to protect, teach and uphold them for the future.

Dublin-born Kathleen is full of warmth and strength. A Bradford resident and Irish Traveller, she’s incredibly proud of her heritage and aspires to uphold her culture and traditions, “It’s how I was brought up and how I brought my children up, and now I’m trying to get my grandchildren on the same track,” she says.

She traces her roots back to County Wexford in the Republic of Ireland, but Yorkshire has always been a massive part of her life. “I grew up on the roadside. We’d stay in Yorkshire in the winter, but then we’d move around all over the country in the summertime; the Midlands, Scotland, Wales, but we’d always come back to Leeds or Bradford in October, as long as it was Yorkshire.”

“There were no phones when I was growing up, so when my father decided it was time to shift, we’d just head to somewhere like Birmingham and find someone we knew,” She recalls the excitement of reuniting with friends from previous years and the joy of a community where “everybody mixed.”

Her upbringing was bursting with community, family, culture and food. “My mother always had a fire going, cooking outside in big black pots, hearty food such as bacon and cabbage, bacon ribs and stew,” she continues, “It’s all proper food and everybody would come over when they smelled our food,” she says, with a smile.

To this day, Kathleen carries on this value of generosity and hospitality, always preparing more than enough food to share with her community. “Anyone elderly we feed, I send dinner up and down everywhere. I don’t have a plate left because most of them don’t come back. So now I’ve bought them all plastic plates to send them up.” It’s clear that this camaraderie is a key influence in forming such close-knit Traveller communities.

There’s a deep sense of communal living in both Kathleen’s home and the site she lives on, she explains, “We’re strong on family values, everyone keeps an eye out for everyone’s child and we take care of the older people, we’d never send them to care homes.”

As the youngest of twelve children, with ten brothers and one sister, she speaks fondly of her own childhood. “Day to day it was just nice, you know, we weren’t playing computer games like today. I was like a tomboy and we played out all the time. It was a better way of life and it was a healthier way of life.”

As travelling communities begin to settle more, she feels the children are missing out on experiencing a variety of life, and explains, “It’s not good for children to be cooped up. When you live roadside you mix with different cultures, it helps to teach morals.”

By the age of eighteen, her parents had stopped travelling and chose to settle in London. “They haven’t been on the roadside since. When you’re settled it’s a different way of life but you never forget the traveller’s life. As long as you have food and water, you don’t need nothing else.”

Another cornerstone of the Gypsy Traveller community is the skill of self-reliance and problem solving. “Travellers are self-taught, you know what I mean, they don’t go to colleges. You just do whatever you put your mind to.  I want every traveller to have the chance to provide for themselves.”

She explains how boys begin working like men aged thirteen, and by seventeen they’re ready to go and do their own thing, “so long as they get a licence and a real motor they get up and go.”

For girls though, there were different expectations. “When I was growing up, girls didn’t leave home, they stayed at home to get married.” She reminisces, “When I got up in the morning, my routine was to make a cup of tea for my parents, then wash through the cans (milk churns) and windows outside. It was different to the boys, because I had to do the housework.”

Kathleen moved back to Yorkshire when she was nineteen years old to get married. Sadly, her husband died aged only twenty-eight, leaving her to raise their children on her own. “I’ve never considered getting re-married. I don’t think anyone would have looked down on me or anything because I was young and had young children, but they’ve got more respect for me now.”

Kathleen then explains the importance in the community of keeping loved ones’ memories alive and shares how they value life and death in equal parts. “We mention everyone we’ve lost everyday, so they’re not forgotten about. My brother died forty-five years ago and we talk about him every day.”

Once a year, Kathleen visits a cemetery in Ireland, underscoring these values. “It’s a respect thing. All our ancestors are buried there. People come from all over Ireland and England on one specific day, and we all stand by their graves – it’s like a blessing.” She continues, “Our people belong to us, when they die they’re more important than when they were alive.”

Bradford is renowned as a space of sanctuary and safety, welcoming communities across the world to make it their home. For centuries, the vibrant tapestry of Bradford has been woven together with the diverse threads of the Irish Traveller community, whether it has been a pit stop for those who embody a nomadic lifestyle, or somewhere to call home. When asked about her own experience, she says, “It’s like home. I’ve been here since I was 5, I’m 57 now, so 52 years I’ve lived between Leeds and Bradford.”

Kathleen lives on the Mary Street site in Bradford, designated for the Gyspy Traveller community. “We used to stop here years ago when I was about eight. It was a potato yard and it was all built up, all along here there were shops and public houses, whereas now it’s all gone and it’s industrial.”

“Since then they’ve opened up a sand quarry across the way, and a tip behind us.” Like many in Kathleen’s community, a prevailing sentiment of being overlooked persists. “No one can see us because we’re blocked in these walls and we’ve got enough cameras, we’re like being on ‘Big Brother’,” which seems to perpetuate her feeling of being out of sight and out of mind.

Explaining the history of where she lives, she says, “This site to start with was looked into for a housing estate and they said it wasn’t fit for humans to live, but yet they could make a traveller site on it – so what is the difference? The fact that this site is managed by environmental health tells me everything.”

She continues, “We’re full of sand twenty four seven, everybody on this site has got issues with their chest breathing. You can’t breathe in the night, it’s like you’re choking because of the sand” and then the additional impact of living behind a garbage facility, “we’ve got flies everywhere, it’s not nice when you’re eating.”  

She’s concerned, and so are other families and parents, for the future wellbeing of their children.There have been positive talks about moving the site and it probably will happen at some stage but not for a few years yet.

The multicultural nature of Bradford is one of the main reasons Kathleen has been able to call Bradford home for so long, because she feels more welcome here amongst other minority groups than in other parts of the country.

For example, the Asian community, “Indians and Pakistanis, they’re tret like us. They understand our way of life and we understand theirs. This town is full of lots of cultures and they’re more comfortable with us than, say, the white community. Some don’t understand us and just think ‘ah, it’s the stinking gypsies’.”

On one hand, society is becoming more accepting and inclusive of previously excluded minority groups, yet on the other it is seemingly trying to erase a way of life for the Traveller community. “We don’t want to change anything. We just want to get on with the life that we’ve always led,” Kathleen says.

A charity worker who works alongside Kathleen and the Gypsy Traveller community says, “In my 20-year career of working with some of the most marginalised communities, I can honestly say that the Gypsy Traveller community face the worst discrimination and racism. I would like to say that they have also been the most welcoming and inspiring to me in my work in challenging people’s inaccurate views and perceptions.”

Kathleen then shares numerous instances of discrimination and stereotyping she has encountered as an Irish Traveller and how she’s always had a feeling of being an unwanted outsider in society, “There’s good and bad in us all, but we all get painted with the one brush,” she says.

Unjust stereotypes brand Travellers as thieves that “live in a jungle and run around with no shoes on”. There is a real sense of persecution and fear within the community. Kathleen describes feelings of being unsafe and vulnerable as soon as she leaves the site, creating a feeling of never truly belonging.

She believes media representation is partly to blame for reinforcing stereotypes and failing to acknowledge the community’s positive actions. Her community’s charitable support for vulnerable people in society go unnoticed, such as large country-wide donations to food banks and children’s hospitals.

It’s disheartening that our positive efforts rarely receive recognition; the spotlight always seems to be on the negative aspects of our community,” says Kathleen. One shining light however is the boxer Tyson Fury. “He’s pushing all the limits and he knows where he comes from. Every traveller, it doesn’t matter what they’ve got, they don’t lose their morals, they want to keep their culture,” she says. “He’s just like us, he’s all about his family.”

Preserving Traveller tradition is important for Kathleen, particularly due to external influences threatening the continuity of her rich, cultural heritage, but at the same time Kathleen recognizes the need to modernise, specifically in education and work.

Kathleen says, “I never went to school when I was a child because I’m telling you we were roadside. Here today, gone tomorrow.” However, when she became a parent, ensuring her own children received an education became a priority. “I think everyone should have the right to read,” she says.

Another cultural shift Kathleen has been part of, is supporting her daughter into further education and now championing her choice to go to work. “It’s only in the last ten years this has happened,” Kathleen explains. “Before that women didn’t work, they didn’t leave home. They done what had to be done at home, like housework. They looked after the younger ones or whatever.” There are still many women in the community that don’t work, but more and more women are going out to find a vocation, and Kathleen feels it’s a good trend. 

As Kathleen passionately shares her life as a Traveller, although some aspects of culture are changing, it’s clear that nothing will ever change her identity. The strength of the community is in how they value and look after each other and pass on their traditions from generation to generation.

However, she feels the world around her is becoming less tolerant of her way of life, trying to brush this traditional way of living out of sight, and out of mind. “It’s a culture and I don’t think they’ll ever stop it, but they’re doing their best to try,” she continues “You can’t think you’re better than anyone else, we’re all the same. It’s not right to look down on someone else.”

Conversation must be had to create positive social change and support greater understanding of the Gypsy and Traveller communities and unite in the face of inequality. Bradford and our wider society have an opportunity to challenge perceptions and be open to understanding the Traveller way of life. Surely we can find a way to live alongside each other, celebrating our differences, looking at those with a different way of life and thinking about how society can champion their cherished traditions. 

Story co-written by People Library Mentee Nathan McGill and Storyteller/Mentor Tom Harmer

Photos by Nathan McGill